“Lil’ Wayne Signs to Jay Z’s Tidal”

Twitter went into a complete frenzy Sunday morning after someone posted a video of Lil’ Wayne’s performance at KMEL Summer Jam Saturday night. In between hits, Lil’ Wayne stopped to make announcement:

“I just signed a deal with my motherf**king idol, Jay Z.”

Of course, the crowd erupted as Wayne nodded his head in satisfaction. This was major news as Wayne has been feuding with Birdman and Cash Money Records for months now. The feud has even ended up in a pending lawsuit. 

For those who don’t know, Wayne came very close to signing with Jay Z back in 2008, but a letter sent to Hov from Birdman’s camp put a halt to that…and unfortunately, it won’t be happening in 2015 either. Well, not exactly. After the video surfaced of Wayne’s announcement everyone assumed that he was signing to Roc nation due to the lack of clarification, but Wayne’s longtime manager and friend, Cortez Bryant, set the record straight:

"The Internet and blogs took his words out of context," Bryant told Billboard. "When Wayne was speaking about the partnership with Jay Z, he was speaking about his new deal as an artist owner with Tidal."

Well, there you have it, folks. No Carter collab coming just yet, but depending on how the Cash Money lawsuit fans out, things may just take an interesting turn.

“Upcoming Single from Jay-Z and Nicki Minaj”

By Yumia Hobbs        By Getty Images

By Yumia Hobbs        By Getty Images

According to Twitter, Jay-Z and Nicki Minaj may have a little something up their sleeves for us. Back in April, there was some artwork dropped that was said to be for a Nicki and Jay single. Yesterday, a fan tweeted Nicki, “what about the Jay Z collab??” Nicki responded, “It’s coming in 3 more days.” The single is said to be titled “F*CKUPITCHIN.” 

It would definitely make sense as it seems Nicki Minaj and Meek Mill have been rubbing elbows with the Carters lately. Also perfect timing since the single would come shortly after the release of Nicki and Beyonce’s “Feelin’ Myself” music video. I can almost guarantee that the single will release exclusively on TIDAL. Get ready, barbz!

“Beyonce and Nicki Minaj Release “Feelin’ Myself” Video”

Yesterday, Beyonce and Nicki Minaj set Twitter and Instagram ablaze when they released the music video for their hit “Feelin’ Myself.” Girls were hashtagging #BestFriendGoals and the boys were flooding timelines with series of heart-eyes emojis. The video is super fun and playful with Nicki and ‘Yonce’ giving themselves hair mustaches and playing with water guns. Of course, there has been a bit of controversy within the Houstaniancommunity due to Beyonce, a Houston, Texas native, wearing a Chicago Bulls bodysuit in the video. You can catch the fantASStic video here:  https://vid.me/GPbV

“Roc-A-Fella Team Reunites at Jay-Z B-Sides Concert”

By Yumia Hobbs       By Getty Images

By Yumia Hobbs       By Getty Images

If you weren’t a subscriber to Jay-Z’s streaming app, Tidal, you definitely missed out on a special treat. On Saturday night, Jay-Z held a concert titled “Jay-Z’s B-Sides” that live-streamed exclusively on Tidal. The concert set-list was a product of playlists created by Tidal subscribers that consisted of classic hits that Jay had either never performed live or tracks that he hadn’t performed live in over a decade. Subscribers that created the winning playlists were rewarded with free tickets to the show, which was held at Terminal 5 in New York. 

The show opened up with the “Dynasty Intro” to set the tone. Jay went on to perform a total of 46 songs, which included a freestyle that addressed Tidal backlash and police brutality and hits from way back when he was rhyming in oversized jerseys and navy blue bandanas. Hov also took a minute to pay tribute to the late B.B. King.:

"We just lost a legend. As you see, we're playing hip-hop, we're playing rock, we're playing blues. I mean, hip-hop incorporates all that shit. It's only music, it's all music; wejust use different instruments" 

"We lost a legend, B.B. King. And I just wanted to play something for him real quick, just to give him a moment of silence. You can put your lighter in the air, you can put your hand in the air. Just stand there and let's get one moment of silence," he continues before playing a snippet of “The Thrill is Gone” by King.  

There was much speculation about whether or not Beyoncé, or anyone for that matter, would make an appearance, but I’m almost certain that no one expected a complete Roc-A-Fella reunion to take place. Right when Hov was in the midst of performing “You, Me, Him, and Her,” Memphis Bleek, Hov’sformer right hand man appeared on the stage. Of course, the crowd when absolutely crazy, as it’s been years since we’ve seen the two on stage together. Okay, so we got Bleek and Jay on stage. Together. Nothing could be better than this, right? Wrong. As Bleek was finishing up his verse, out came State Property.The reunion was quite a monumental moment as there have been years of tension, dispute, and bad blood, but it’s safe to say that all of that has been laid to rest. There were even a few “thug tears” shed by Memphis Bleek, and Beanie Sigel even captioned the Instagram photo of he and Hov hugging with “Damn near cried...” 

Jay-Z ended the show with “PSA,” in which he performed with his entire squad on stage, along with new signee Vic Mensa. He was also joined by Young Jeezy and Jay Electronica earlier in the show. 

You can catch the entire concert in HD here: https://youtu.be/eKr7dw7RalQ

“Chance the Rapper Lectures at Harvard”

By Yumia Hobbs       By Getty Images

By Yumia Hobbs       By Getty Images

 

“Chance the Rapper Lectures at Harvard”

On April 30th, Harvard University's Hiphop Archive & Research Institute welcomed Chance the Rapper for a little Q&A with students. During this Q&A session, Chance gave insight on everything from the formula behind Jay-Z’s Tidal streaming app and how it felt to meet Kanye West for the first time, to the popular violent and exploitative content in today’s music and police brutality:

On Jay Z's Tidal and other streaming services:

"So the Tidal formula is awesome if it actually works out. It's a direct fan-to-artist or fan-to-supplier type of connection, but it's not really working that way yet. Everybody that was on the stagewas like signed to a label and shit. At the end of the day, all these streaming services are whack as fuck."

On today’s musical content:

I've been working on lot music since I dropped Acid Rap two years ago. I wrote this whole verse, a very disrespectful verse for [J.] Cole's use or for my use. A little less than a week later I was at my friend Peter's house working on another record, and this record is called "Goofy." The hook is this bitch a goofy over and over and over. It's super, it's terrible, but it's a very catchy song. A few days after I wrote that record and recorded a scratch for it, I recorded another song called "Regular" for the Surfproject. I don't know where this came from, where this angst was coming from, where this disassociation with women or with black women specifically—because that's my closer relationship to women—was coming from, but in a short period of time I was writing a lot of records that just seem to have just a lot of ill will. I premiered one of the records on the radio and it wasn't until I heard that record played back after somebody ripped it that I realized I couldn't associate with it. I listened back to these other two records and I couldn't really associate with either of them. I just had this just short but important moment of reflection. I felt really responsible so I dug this deep hole and I threw "This Bitch Is Goofy" in there. "Regulars" is still going to be on Surf. That one's just too good. That's my roundabout answer to why I still use the word 'bitch.'"

On police brutality and Baltimore:

"I think it's really most important for everybody to be informed, to be connected to the situation. I always say like there's an act—when to be a hand or to be a voice. You gotta know when your Twitter is stronger or your body actually marches. Sometimes it's either/or, you know? But I don't want to dance around saying this shit is wrong. I think we all know that. It's very hard to watch it happening on a loop."

On meeting Kanye West:

"Every time he speaks, it's all on purpose. I'm very selective about words when I'm writing music, but when I'm just talking, I might say some outlandish shit. Everything he says is on purpose and very calculated, and he feels exactly how he feels. I played like seven shows with him last year but didn't meet him at any of the shows. That shit gets locked down after the show because he's married to the president or something. This one time, Jaden Smith hooked me up and introduced me to Kanye. He's never speaking for someone else. He's just giving you his straight up ideas and his feelings on how the world works and how it should work. I just respect the fuck out of him, and I respect him much more after sitting with him in a room with no one watching and no cameras on and him being like, 'I care this much about how the world works and how your shit goes and I'm going to give you a full blown lecture, really loud, about how this shit works.' And I was like 'yeah, for sure.'"

You can find more highlights from the lecture at thefader.com

Chance is projected to release his album, Spring, very soon.